faust symphony造句

• He presented a musical meeting starting with Liszt's Faust Symphony under B黮ow's baton.
• More recently, part of August Stradal's solo piano arrangement of the Faust Symphony has been recorded.
• Liszt a " Faust Symphony ."
• In his Faust Symphony, which employs related thematic material, he does not attempt to write another " four-movement-in-one " work.
• In 1937, in Darmstadt and Piano Concerto No . 1 in E-flat major ", and the " Faust Symphony " were played.
• It made one of its most celebrated early appearances in Franz Liszt's " Faust Symphony " ( " Eine Faust Symphonie " ).
• It shows structural similarities to the " Sonata " and obvious thematic relationship to both the " Sonata " and the Faust Symphony.
• Twelve-tone serialism first appeared in the 1920s, with antecedents predating that decade ( instances of twelve-note passages occur in Liszt's " Faust Symphony ", and in Bach, ).
• This piece, which in 1865 was published as a two-piano version under the title " Concerto path閠ique ", shows a thematic relationship to both the Sonata and the later " Faust Symphony ".
• Thus, work on the " Dante Symphony " roughly coincided with work on Liszt's other symphonic masterpiece, the " Faust Symphony ", which was inspired by Johann Wolfgang von Goethe's drama " Faust ".
• Debussy in later years described Liszt's pedalling as " like a form of breathing . " Debussy and Vidal performed their piano duet arrangement of Liszt's Faust Symphony; allegedly, Liszt fell asleep during this.
• The " Faust Symphony ", in its final version, had for the first time been performed at the " Tonk黱stler-Versammlung " of 1861 in Weimar, where the foundation of the " ADMV " had taken place.
• Following Liszt's tradition of transcribing orchestral works such as Beethoven's nine symphonies, the Hungarian pianist Ervin Nyiregyh醶i transcribed the Faust Symphony for solo piano, which he performed at a recital in Novato, California on April 30, 1978.
• In Weitzmann's own lifetime, composer Franz Liszt showed considerable interest in new theories regarding dissonant sonorities, referencing Weitzmann's " Der 黚erm鋝sige Dreiklang " in an analysis of his own Faust Symphony ( a composition famously saturated with augmented triads ).
• The voices of the Hollywood actors of the 1930s and'40s are forever young _ even Alfred Hitchcock, heard in an interview, is not getting any older _ and the wordless voices heard in Liszt's " Faust Symphony " or Schubert's " Unfinished " will never age.
• In a letter of 12 May 1879, to Walter Bache, he writes " On 5th June B黮ow conducts the first concert there, at which Bronsart's beautiful and valuable " Fruhlings-Fantasie ", B黮ow's music to Julius Caesar ", and my " Faust Symphony " will be performed ."
• Examples of this kind are the arrangement of the second movement " Gretchen " of his " Faust Symphony " and the first " Mephisto Waltz " as well as the " Liebestr鋟me No . 3 " and the two volumes of his " Buch der Lieder ".
• His visit to Franz Liszt at Weimar in the summer of 1857, where he heard Liszt's " Faust Symphony " and " Die Ideale ", caused a material reorientation of Smetana's orchestral music and suggested to him a means for expressing literary subjects by a synthesis between music and text, rather than by simple musical illustration.
• Music and Arts also has a very strong Liszt " Faust Symphony " ( CD-744 ) and a mixed-bag recording of a 1956 Orchestre National de France concert ( CD-784 ) that includes a disappointing " Kindertotenlieder " with Marian Anderson ( Horenstein made the classic first recording of the cycle in the 20s with Heinrich Rehkemper ) alongside a memorably nasty Prokofiev Fifth.
• This view was not considered novel in itself . " What was new, " according to musicologist and Liszt biographer Alan Walker, " was that [ Hanslick ] was a musician addressing musicians, and he found a large audience . " Between the first and second of this book's nine editions, the first six of Liszt's symphonic poems were published and the Faust Symphony premiered under Liszt's baton.